“Reconstituting and Reproducing: the Parallel Lives of Kazimir Malevich’s Architectons at the Musée national d’art moderne, Centre Pompidou, Paris” in Christophe Lemaitre, The Life and Death of Works of Art, Tombolo Presses, Paris, 2016. In French and English. 978-2-9546842-8-4
“MobilePicasso, 1953 Vintage” in cat. Picasso, Savant Hand, Savage Eye [Sao Paulo, Instituto Tomie Ohtake, Mai 22 – August 14 2016], Instituto Tomie Ohtake, Sao Paulo, 2016. Text, records and introductions to Guernica from Alain Renais & Robert Hessens, Le Mystère Picasso from Henry-Georges Clouzot. In Portuguese, English & French.
Various catalog records and two texts : “Budapest, Hungary, 1956 in the Private Archives of Pablo Picasso” and “Picasso in 24 frames/seconds” in cat. “Picasso – Transfigurations, 1895-1972” [Museum of Fine Arts – Hungarian National Gallery, Budapest, 22 April to 31 July 2016], NMG, Budapest, 2016. In English & Hungarian.
Concept and organization of the symposium “Museum 2.0” at the Centre Pompidou, Paris, April 1st, 2008 // see program + vidéos FR et EN
“Anthology” in cat. Picasso-Giacometti [Musée national Picasso-Paris, 4 october 2016 – 5 february 2017, Fire Station, Doha, 22 february – 21 may 2017], Musée national Picasso-Paris/Flammarion, Paris, 2016. 978-2-08-020315-1
“¡ Picasso ! ”, an unprecedented exhibition
The ¡ Picasso ! anniversary exhibition presented on the five floors of Hôtel Salé illustrates the continuity and deep unity of the collection and the history of the museum. The Musée National Picasso-Paris has the world’s largest public collection of Pablo Picasso’s work, covering all his creative periods and all fields, including “Picasso’s Picassos” straight from the artist’s studio. Pablo Picasso’s personal archives and the museum’s archives are at the heart of this exhibition project. They echo the masterpieces and, as most of them have never been exhibited before, give a different interpretation of the life, creative process and circulation of the master’s artworks
A large visual collage invites visitors to go on a tour of the five floors of Hôtel Salé starting with the history of the museum (basement), discover a chronological presentation of the major works (ground floor and 1st floor), then “Pablo Picasso – public figure” (2nd floor), and meet the “private Picasso” (3rd floor). This is a contemporary interpretation of Picasso’s works that alternates between rooms featuring dense displays and more intimate sequences.
From 2015 October 20
10 scientific curators : Violette Andres, Sophie Annoepel–Cabrignac, Émilie Bouvard, Yve-Alain Bois, Laure Collignon, Laurent Le Bon, Nathalie Leleu, Virginie Perdrisot, Emilia Philippot, Jeanne-Yvette Sudour
Catalogue in French
The architectural part of the exhibition design is based on a family of forms and devices for modular exhibitions.
Laid out so visitors can circulate freely, the set accompanies Picasso’s artworks and offers a formal connection with the museum’s built framework.
Four architectural variations (specific ornamental patterns and details) help identify the areas of the exhibition. These elements of style are inspired by and evoke the different compositional techniques in Picasso’s works: superimposition, collage, assemblage and deconstruction.
The play of modenatures, solids and hollows, matte finishes alternating with glossy finishes all create variations of language and assert its movement.
The transparency of the devices allows the superimposition and visual re-composition of different levels of interpretation and lets visitors take in the different media of works and the archive documents in one single glance. White was chosen so that the visitor’s eye would not be diverted from the artist’s different palettes.
The exhibition thus establishes closeness with the artworks, visitors are gradually immersed in the creative movement, encouraged to wander around the artworks freely and discover their singular nature and how they interact.
The exhibition at a glance :
4 distinct parts: the history of the museum, the collection masterpieces, Picasso the public figure, Picasso the private figure
– 105 paintings (including 86 by Picasso)
– 92 sculptures (85 by Picasso) including 22 ceramic pieces, 13 objects and 1 textile artwork
– 192 graphic artworks (186 by Picasso) including 94 illustrations, 20 sketch books, 10 illustrated books, 62 prints and et 6 print matrices
– 190 photographs
– 1 contemporary installation
– 4 films and about 30 INA extracts
– 314 archives including 223 documents and correspondences, 38 periodicals, 31 publications and 22 objects
“‘Let us place the eye under the control of touch’. Replicas and replicators of Vladimir Tatlin’s Monument to the Third International: the great adventure of Pontus Hultén” in cat. Tatlin : new art for a new world [Musée Tinguely, Basel, June 6-October 14, 2012], Musée Tinguely / Hatje Cantz, Basel, 2012. English edition : 978-3-9523990-1-9
« Opera Mundi » in Capture – Grégory Chatonsky, HYX, Orléans, 2011. In French and English. 978-2-910385-65-1
“Et in Fabula Ego” in cat. Karen Knorr – Fables [Paris, Musée Carnavalet, 10 février-4 juillet 2010], Filigranes, Paris, 2008. In French and English. 978-2-35046-135-9
“Before the Suitcase-Carrying” and others texts in Interloperies – Laurent Sfar, Filigranes, Paris, 2009. In English and French. 978-2-35046-176-2 // see FR et EN
“Pandora’s Box” in Catherine Poncin – La boîte de Pandore, Filigranes, Paris, 2008. In English and French. 978-2-35046-133-5
“The Model of Vladimir Tatlin’s Monument for the Third International: Reconstruction as an Instrument of Research and States of Knowledge”, Tate Papers, n°8, Autumn 2007, special issue on Replication for the workshop « Inherent Vice: The Replica and its Implications in Modern Sculpture » held at the Tate Modern, Londres (GB), 18-19 October 2007 // see EN
“Replication.exe” in En milieu continu / Raphaël Zarka, erban, Nantes, 2007. French and English. 9782917855324 // see FR et EN
“Shirin Neshat – Beneath a Black Sun” in cat. Synopsis II-Theologies [Athens, EMET – Museum of Contemporary Art, 15 october 2002-5 january 2003], EMET – Museum of Contemporary Art, Athens, 2002. In Greak and English. 960-87329-2-1
“Shirin Neshat : the Image Dispute”, Parachute, n°100 ” The Idea of Community”, oct.nov.dec. 2000, Montréal. In French and English. 0318-7020
“The Surprise of the Conscience. Brief Reflections on the Guilty Glance” in cat. Romantica, Immagini del cuore e della colpa, Leonardo Arte, Milano, 1997. In Italian & English. 9788878138735
VII Biennale Internazionale di Fotografia, Fondazione Italiana per la Fotografia / Palazzo Bricherasio, Torino, Italy, 5 september-12 october 1997. Guest curator.